Baby Jesus, the Coen brothers, and a suicide

Jean-Marie Saporito • December 23, 2021

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I grew up Catholic in Queens, New York, and baby Jesus was part of this season. He would be born, and we would miraculously be saved. I remember trundling the two blocks to my local parish church, with my hands shoved in my wool coat pockets to attend midnight Mass on Christmas Eve. The pews were jammed, Mrs. Ayer's soprano singing filled the voluminous arched ceilings, and the priest in his flowing gold and white robes swung the thurible, anointing the parishioners with frankincense and myrrh vapors. The solemn mystery of this night seemed worth the cold I'd subsequently catch, ruining my Christmas vacation.

Taos is far from Queens, and I’m no longer a practicing Catholic, but I still love the mystery inherent in tradition. In years past, as darkness descended on Christmas Eve, I'd cram into the San Geronimo Church at the Tewa Pueblo for vespers that concluded with a procession through the ancient adobe village plaza. Men in traditional garb, carrying a statue of a dark-skinned Virgin Mother, lead the way amidst towering bonfires that billowed smoke into the crystal cold mountain sky. Church attendees followed behind singing hymns, and though I didn't know most of the words, I would join in when I could.

The Pueblo has been closed since the beginning of the Pandemic, and holiday gatherings aren't what they used to be. In 2020, the tradition of a family and close friend, socially-distanced viewing of a Coen brother's movie began. Why these filmmakers? Strange times call for strange measures?? But who doesn't love the quirky Coen brothers and their filmography should outlive CoVid.

Unfortunately, my younger brother did not. At the end of last year, this tradition was interrupted by his suicide, another type of causality from this virus. The weeks that followed his death were a blur, the trauma freezing my senses, and though I grieved, my numbness mitigated the depth of my sorrow.

Coming up on the year anniversary, I've thawed and am surprised by how the loss feels more intense. The longer I experience this grief process, the more I understand I'm living in a mystery. I don't know how to do this, and from what I've learned from Golden Willow retreat center, there's no "right" way. Make it up as you go along.

This season there will be no church, no Pueblo, but we will watch a Coen brother’s film. Lady Macbeth will be released on Christmas Day, and in this way, though I've never met Ethan and Joel, I feel a bond with them. But I won't venture into a crowded movie theater. Instead, my family and I will watch something at home. And I bet you might guess which film that will be.


Be Social

By Jean-Marie Saporito June 14, 2025
 My friend, Joe, is dying. Outside the retirement village’s window, cars roll along Camino de la Placitas, their drivers oblivious to the beauty of the reflected sunshine off the car ahead or the generous wave of another motorist signaling for them to go first. I sip my Americano and nibble at the chocolate cake I brought for Joe. Now that he’s done eating, its left for me. Sweet and bitter, oily and earthy—a perfect combination. Earlier, I positioned Joe in his bed so he wouldn’t choke. I stuffed the pillow behind his head, angled his chin towards his chest, and cleared the way to his belly. All those years as a nurse have finally come in handy. I spooned the cake into my friend’s mouth. Held the coffee cup’s straw to his chapped lips. What could be better than a couple of paisans sharing coffee and cake on a Sunday afternoon? Joe mumbles gibberish. I say, “You’re making no sense.” He says, “I know. It’s like someone else is in my head.” I say, “I’m not afraid of your dying.” He says, “Thank you.” Joe was a writer and would sometimes help me with an essay’s final lines. A writer can ruin an entire piece with a crappy ending. He and I would spend hours with our butt bones sore from sitting on the white benches of Manzanita Café. We’d twist syntax and fling phrases. He’d tap his fingers on his thighs, like fleshy drumsticks on the skin of his jeans. He made sure the rhythm of those last words were right. He drank his coffee black. He listened for a melody that he alone could hear. Joe had picked a day to die. March 14. I tell him that’s the same day Edward Abbey died, an odd piece of trivia I read off the internet earlier that morning. He laughs. Good writer, he says. He tells me he wants to be surrounded by his friends, his cat, Zeno, and his dead wife, Sally’s artwork. Then he goes back to mumbling, arguing with his mother, his grandmother. I am a bystander. The traffic along the road has quieted. I say, “Joe, you might beat yourself to that punchline of March 14. It is February 23, and you, my friend, are dying.” He says, “I know.” Sometimes when I’m reading a story, I turn the page, expecting more, only to find it’s over. I’m greedy. I want something good to go on forever. Joe’s not around to help me figure out this essay’s final lines. I wait to pull out from the parking lot onto Placitas. I let several cars go by. I consider getting another cup of coffee, another piece of cake, even though it’s dark, and the caffeine and sugar will keep me up all night. I circle Taos Plaza, cruise past Mazanita café, revisit those times when Joe and I hammered out endings together. On the corner is World Cup, open and empty. What the fuck? I think. More coffee, more cake. I don’t need to sleep. That night, my dog curls her spine and poops underneath the olive trees while I stare at the stars. My tongue races across my teeth. A whisper of mocha. There.
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